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"Every eligible made-ups unit which has availed 15 per cent benefit under ATUFS will be paid an additional 10 per cent capital investment subsidy on their investment up to an additional maximum cap of Rs 20 crore," the Textiles Ministry said in a notification.The made-ups segment of textiles include products like bedsheets, blankets, curtains, crochet laces, pillow covers, towels, zari, embroidery articles and other articles. The disbursement will be based on a verification mechanism linked to production volume, employment and tuover."Thus, the total cap on subsidy for such a unit is enhanced under ATUFS from Rs 30 crore to Rs 50 crore (Rs 30 crore for 15 per cent CIS and Rs 20 high speed chenille embroidery machines Factory crore for additional 10 per cent CIS respectively)," it said. It is the second largest employment generator after apparels in the entire textiles value chain.

Units in the made-ups segment of textiles, which includes products like bedsheets, blankets and curtains, will get additional 10 per cent capital investment subsidy of up to Rs 20 crore under the Amended Technology Upgradation Fund Scheme.The reforms, part of the Rs 6,006 crore apparel package announced earlier, include providing production incentive through enhanced Technology Upgradation Fund Scheme (TUFS) subsidy of additional 10 per cent for made-ups similar to that provided to garments based on the additional production and employment after a period of 3 years."Funds for meeting additional CIS for made-ups units will be provided for in the ATUFS budget in the respective years," said the notification.

The govement last month approved reforms in the apparel made-ups sector, aimed at creating large scale direct and indirect employment of up to 11 lakh persons over the next three years and boosting exports.The additional subsidy will be disbursed after a period of three years. Often artists out of the purview of the gallery system put in their money to hold shows and the money invested in an art show are very precious and increasingly difficult to find. This year there have been fewer shows that elicit great excitement. I am sure there are countless others that will die unsung.I am reminded of Faiz Ahmed Faiz’s poignant lines wherein the poet laureate in exile in London had said Na unse mile hain, na mai pe hai talaash mein hai seher baar-baar guzri hai ajeeb rang abke bahaar guzri hai. As if life is not as it is difficult enough.

 These industries are two sides of the same coin and having a Bollywood celebrity walk for the show does high speed chenille embroidery machines Manufacturers enhance the impact on both the audience and the consumer. Reynu adds, "I chose Divya Khosla because I think she would perfectly represent a girl who redefines the conventional bride with all that is mode along with an imperial twist.The curtain rose yesterday for India’s top 11 designers to showcase splendour of design and craftsmanship at the FDCI India Couture Week (ICW) 2016, a five-day fashion extravaganza. The collection reinvented couture line by celebrating old-world embroidery, ancestral Indian trends and Persian influences."The duo is showcasing a collection titled ‘Hiraeth’, a tale of travel and transcendence, inspired from their love for old textiles and their sublime leitmotifs.

 They share, "Bollywood has always been a style beacon in our country, right from the days of the ever-graceful Waheeda Rehman to current day female actors. "A celebrity showstopper is not essential to a successful show, but I’m not averse to the idea either if it suits the concept of the collection," he points out. Director and actress Divya Khosla Kumar will be seen walk the ramp for designer Reynu Taandon.Anita mesmerised the audience with her bright, gota patti lehengas teamed with bohemian blouses. Speaking about the collection, the Sufi Kathak dancer said, "The way Tarun brought in an old tradition in a mode format was spectacular. The courtesans themselves were style icons. Fashion designers Tarun Tahiliani and Anita Dongre showcased their collections on Day 2 at the FDCI India Couture Week.

 The colour palette was golden infused with hues of cream, rusts, browns, reds and pink and muted blue. "Our muse, the young gypsy princess, is free-spirited and yet embraces tradition in her own special way. Tahiliani’s collection included panelled jackets, voluminous skirts, concept saris, lehengas interspersed with French knots and floral embroidery blouses. Music producer Gaurav Raina’s melodious blend of Indian classical and folk with electronic music set an earthy background while the vintage-inspired saris, long skirts, different styles of blouses, dupattas, achkans and kurtas for men displayed elegance wrapped in tradition.

 Through scale and form, each piece is meant to take on a form that is surreal and yet majestic, these figures are like warriors, traveling through time, telling their own stories.The eleven participating artists Abeer Gupta, Brahm Maira, Dhvani Behl, Durga Kainthola, Nidhi Khurana, Nikheel Apahle, Puneet Kaushik, Sahaya Sharma, Sandeep Biswas, Shivani Aggarwal and Vibhu Galhotra worked almost for a year on it and the effort is well worth it, for it is beautifully conceived and curated by Shailin Smith. She has painted the works on paper, which were then photographed and printed on carpet using the chromojet coiling embroidery machines Factory printing technique. He says, "My work is a visual exploration and jouey in to the world of the carpet industry and the hundreds faceless people who create those magnificent rugs that we proudly use in our décor.

These tools have been fabricated in fibre glass and then covered with pieces of namda. I have enlarged this instrument to a height of 5 ft in wood and have worked with threads on it. The work attempts to uncover the hidden heart of the city, buried deep beneath the debris of industrialization. I’m really looking forward to Manish Malhotra and Ujjawal Dubey’s show. The siblings have not suffered any injury. The accused, Shadik Ansari, works as a tailor in an embroidery shop. I’m looking forward to Aiman Agha’s work.I am an unabashed admirer of our weavers and will go many extra miles in honour of the sheer genius of their artistry, technique, aesthetics, but even more than that I bow my head to the fact that continue to practice their art despite all odds.

It would be very easy for us if as fashion students we got access easily because the whole invitees and pass drill gets a little taxing at times." Sumeet Nath of the Raj Group under whose the aegis the show is being held says, "As an industry that survives on the art of weaving, it is imperative to find a way to create tangible memories from a tradition that may cease to exist in the future. Having said that, I’m looking forward to some beautiful flowy gowns and short skirts. Senior police inspector Dilip Thorat of the Shahu Nagar police station said, "We have registered a case of kidnapping and rape under Section 363 and 376 of the Indian Penal Code and under Sections 4(penetrative sexual assault), 8 (sexual assault) and 12 (sexual harassment upon a child) of the Protection of Children from Sexual Offences Act.

 The Three-Body Problem is the kind of science fiction novel that fires young imaginations, inspires visionary Wholesale sequin embroidery machines inventors, and gets people to reflect on the direction society is headed and it was written in a language that a billion Chinese people can read. I hope this changes. Liu wants his readers to concentrate on his description of Trisolaran science a trippy investigation into the possibility of encoding information in a single proton, through a process of dimensional unfolding. From time to time, Liu drops the voice of a narrator and assumes the voice of an engaging lecturer, offering four-to-five page explanations of topics such as cosmic background radiation, logic gates, and the titular three-body problem in physics. I don’t think I’ve ever found the scenes of a novel as easy to visualise as I did with The Three-Body Problem (and some credit for this must go to the translator).

 But the cinematic effects are not limited to a single classical style. Would it be too much to hope that it gets translated into Hindi, too Rakesh Khanna is a founding editor of Blaft Publications, an independent publishing house based in Chennai. This has me a bit worried about the yet-to-be-translated sequels, in which I’m guessing the aliens play a bigger role. The chapters set in the remote Northeast evoke the lush, colourful, wide-open landscapes of Zhang Yimou’s House of Flying Daggers or Ang Lee’s Crouching Tiger, Hidden Dragon. Now, at last, we have a longer work to sink our teeth into: Ken Liu’s translation of The Three-Body Problem by Cixin Liu (or Liu Cixin, to use the suame-first Chinese convention).Until very recently, China has been a massive dark spot on the map of science fiction at least, for people who don’t read Chinese.

As I read the book, I kept thinking about how little Hard SF gets written in India, especially in Indian languages. Ye, a formidable scientist herself, eventually ends up at a top-secret research base in the Greater Khingan Mountains in north-easte China, where she becomes the first human being to make contact with an alien civilisation the Trisolarans. Opening in 1967, at the height of the Cultural Revolution, the book centers around Ye Wenjie, the daughter of a physicist murdered by ideological zealots. (It’s clear from repeated references to classical Chinese painting that Liu is a keen student of visual composition, and he does a remarkable job of rendering those ideas in prose. To imagine that a civilisation so nearly identical to our own could have evolved entirely by chance, just a few light years away, is frankly a goofy idea, better suited to a 1950s Twilight Zone episode than a thoughtful work of Hard SF.